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In 1998, Takami Yao had undergone a double mastectomy. She told me
that she had been scared when diagnosed with breast cancer, assuming
that she would die. Following the chemotherapy, when her hair was falling
out, she made a decision to shave her head. When she looked in the
mirror, she realized that she was more beautiful than she had ever
been. She saw herself reborn, and knew at that moment that she was
going to live.
As a photographer, I saw both Takami’s scars and her beauty. I dared
to look deeper because she wasn’t afraid to show me. How optimistic
and courageous to look inward, to face loss, and become stronger through
the experience. The truth is that the landscape of our body is forever
changing. Like a topographic map, the lines and shadings reflect our
physical and psychological journey through life – through adolescence,
childbirth, illness, menopause, and old age.
Takami’s photographs depict a woman who bravely explores the physical
and emotional contours of her new form. These portraits can be viewed
as a narrative about her life and also as a defining moment of change.
Bald, breast-less and scarred, she is as she appears to be -- fearless
and beautiful, essentially and eternally female.
Changed Landscapes, Exploring The Feminine Identity And The Process
Of Coming To Terms With The Body After Breast Cancer, was a gallery
installation I curated at the Elsa Mott Ives Gallery in New York City
in 2002. My larger than life photographs, along with the work of three
other internationally acclaimed artists in the exhibit, showed that
it is possible to face these transfiguring changes, however painful
and frightening, and yet still create new beginnings.
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‘I thought, “I wonder how long it was before
the Dahomean* girl Amazons could take their changed landscapes
for granted?”’
Audre Lorde,
The Cancer Journals.
*It is said that the Amazon warriors of Dahomey
have their right breasts cut off to make themselves more effective
archers.
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