|
I could see hundreds of stones jutting out of the hills in all
directions, leaning this way and that like silent figures pushing
out toward the sun. In the distance, the worn grey, beige and
brown graves were stark monuments, reminders of the people who
had lived out their lives in this place, and died.
The cemeteries seemed to be swallowed up by nettles, wildflowers
and hills of exuberant goldenrod. Where the ground had shifted,
the displaced stones appeared as monoliths from some ancient
civilization, left by time to lean against one another.
In August 2008 I travelled to the Ukraine for the first time,
to meet two of my friends and to visit Odessa, the birthplace
of my father. My two-week visit became an exploration into the
history of the once vast community of Eastern European Jews and
the relics they had left behind.
This odyssey started in Kiev at the ravine in Babi Yar, and
took me to the tombs of Rabbi Nachman in Uman and the Ba’al Shem
Tov in Medzhybizh, two historic Hasidic pilgrimage sites associated
with the Kabbalah. I crisscrossed the heartland, over 2000
kilometers, to visit cities, towns, and shtetls, and to photograph
the carved tombstones in cemeteries dating back to the 1400’s.
Each site and stone had a story to tell. Although the
only sound was the wind through the trees, I could feel murmuring
voices from deep in the uneven ground. The thick bramble
and late summer grasses tightened around my ankles as I said
“excuse me” to the spirits where I walked.
Each stone was an artistic treasure filled with iconographic
beauty and mystery. I saw elaborate carvings and primitive
drawings, many with animal motifs: lions, stags, eagles,
dogs, hares, and such mythical creatures as winged griffins and
unicorns. Other friezes depicted symbols of lineage and gender. The
pitcher pouring water represented the tribe of Levites, the assistants
to the priests. The Cohens, descendants of the Biblical
priests, had two hands joined in a spread-fingered gesture of
blessing. There were hundreds of intricate candelabra images
marking the graves of women whose duty it was to light the Sabbath
candles. Generosity was symbolized by hands giving out
coins, while a learned person might have a book or a crown, the
symbol of the Torah. Some epitaphs were intricately carved,
the stones decorated in an elaborate Jewish script covering the
entire surface; others held only the most minimal outline of
the Star of David. Massive, six-foot-high sculptures of
tree trunks with their branches cut off towered over the simpler
stones. Some retained a residue of ochre and blue paint,
(perhaps the final touch of the engravers and stonecutters),
while others were covered only in lichen and moss.
The Bet Hayyim that survived the destruction of the
pogroms and the murder of the local Jewish community during the
Holocaust have been abandoned to the elements for more than half
a century. Yet these “houses of the living” powerfully
remind us of the centuries of life, art and ritual which thrived
here. For me, a first-generation American, an artist, a
photojournalist, and a historical preservation photographer,
they have become a portal to rediscovering my own Jewish heritage.
|